Portrait of Rev. Desmond Forristal
The Desmond Forristal Archive was donated to the Library in 2001, and provides an intimate view of the life and work of Rev. Forristal in the latter half of the twentieth century. Forristal is known for his work as a scholar, author, playwright, and TV producer.
Desmond Forristal was born in
Forristal studied film and television in
Forristal’s first play, The True Story of the Horrid Popish Plot, was performed at the Gate Theatre as part of the 1972 Dublin Theatre Festival. A Hilton Edwards production, the historical drama addresses the lives of Oliver Plunkett and seventeenth century perjurer Titus Oates who fabricated a supposed Catholic conspiracy to kill King Charles II. His second play entitled Black Man’s Country was performed in the same theatre in 1974, and was based on the author’s visit to
Forristal’s next production was for television, a play entitled Enquiry at Knock (1979). This play was based on the testimony of witnesses for the evidence of the miraculous appearance of Mary at Knock. Returning to the stage that same year, Forristal’s next dramatic effort was the play Captive Audience, which concerns the relationship between a young girl who is in the Charismatic Movement and her de-programmer. The Crozier and the Crown, a religious drama based on the life of St. Laurence O’Toole, was performed in 1988.
Forristal is also known for his literary work. He has written several books on historical and religious subjects, including Oliver Plunkett (1975), Maximilian of Auschwitz (1982), The Bridge at Lo Wu (1987), The Man in the Middle (1988), The Second Burial of Bishop Shanahan (1990), and Edel Quinn 1907-1944 (1994). In addition, he has contributed articles to a number of journals, and was drama critic for ‘The Furrow’, a diocesan magazine, for many years.
Selection of documents from the Forristal Archive
The Desmond Forristal Archive consists of a wide range of document types, including letters, scripts, essays, research notebooks, photographs and newspaper clippings. Forristal’s close ties with
‘You and I worked together – and I hope we will again – but nothing we can do can reach the artistry, if I may use that word in this sense, of the work you have just done. The rightness of the services, both unsurpassable in their simplicity and beauty gave me much comfort, and I know, has given Micheal peace. Thank you again for administering the last rites to him in hospital.’ (PP/1/55A).






